I just sent out the fall edition of the Lax Newsletter with this photograph in it of Robert Lax playing the bongo drums when he was quite young. I don’t know where or when the photograph was taken, or by whom, but it is one of my favorites of him. I think it shows his true inner spirit at an early age.
The photograph came to me from Jeffrey Weinberg, who used a version of it on the cover of his 2014 letterpress publication Dear Jack: Heart Not Head. The limited-edition book features an intimate letter Lax sent to Jack Kerouac when they were good friends in the 1950s. You can purchase a copy, with an introduction by Lax archivist Paul Spaeth, from Jeffrey’s Water Row Books eBay page.
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Father DanRiley, OFM, has a new book out focused on “Franciscan lectio,” a variation on lectio divina, a traditional monastic practice involving meditation and prayer centered on scriptural passages. Today, many people of faith outside monasteries use not only scripture but other meaningful writings to center their meditation and prayer. In Father Dan’s book, for example, he says he includes more passages by Robert Lax than anyone else.
According to an article on the St. Bonaventure website, “Fr. Dan hopes to inspire one’s spiritual imagination in “Franciscan Lectio” through story, art, poetry, nature, Franciscan mysticism and Scripture – helping readers to see that all of life is unitive and sacred.”
“I entered the project thinking Merton and St. Francis were my heroes,” Fr. Dan says, “but it turned out Lax and St. Clare played the prominent roles.”
Father Dan Riley, OFM, reports that he and a small group of others from different faith traditions have been discussing the establishment of a new center dedicated to Lax and Merton and committed to civil dialogue in an increasingly uncivil age. The center would probably be housed at the Mt. Irenaeus Fransciscan Mountain Community Father Dan founded near St. Bonaventure University many years ago. Here’s the community’s description of its location:
Mt. Irenaeus rests on nearly 400 acres of beautiful land in the Allegheny hills of Southwestern New York State, with seven cabins, large community House of Peace, Holy Peace Chapel, 10 miles of trails, labyrinth garden, reflective pond and other sacred outdoor spaces for contemplation.”
One possible design for the center is an octagon, to reflect that shape’s importance in several traditions. The building would also incorporate some parts of the Marcus cottage where Lax, Merton and their friends gathered during college summers, writing, making music, and practicing debating important matters in community.
The fireplace in the Marcus cottage.
Riley and others have been trying for years to find a way to move the Marcus cottage from the hills above Olean down near campus. Unfortunately, the cottage hasn’t been maintained, so it isn’t feasible (or cost-effective) to move the whole thing. Instead, they’ve secured pieces of the cottage to put in the center: the mantel over the living room fireplace and the sailing ship model above it, as well as the doors and hinges from the bedrooms Lax and Merton slept in. An expert is looking at the cottage to see if other parts are salvageable too.
According to Father Dan, the center would be a place outside the Mt. Irenaeus Franciscan structures where people from different backgrounds could talk about issues of any kind, whether they came out of a faith tradition or not. But it would be “a mystical place, not just dialogic,” he says. Its core value would come from the root of the word “conversation,” which means not just talking but turning or changing together.
If you’re interested in being connected to the project or just knowing more about it, you can write to the Mt. Ireneaus office coordinator, Michelle Marcellin, at mmarc@sbu.edu.
A major work of art honoring Robert Lax has been unveiled in his hometown of Olean, New York.
Painted on the walls of the Library & Liberal Arts Center on the Olean campus of Jamestown Community College, murals inspired by Lax’s circus poems now grace the spot where his father, Siggie, took him to watch the circus pull into town when he was a boy. (Note the railroad tracks in the foreground in the picture above.)
According to the Olean Times-Herald, more than 25 artists and volunteers helped “world-renowned muralist” Meg Saligman with the installation, and another 1,000 community members participated in “various summer paint day events.”
“Titled ‘Vantage Point: Our Valley of the Sun,’ the mural’s name is inspired by poet Robert Lax’s famous work, ‘Circus of the Sun,'” the newspaper reports. The project was supported by several local and regional organizations and is meant to celebrate those who live and work in the area. (One of Lax’s childhood homes once stood just steps away.)
Saligman–who grew up in Olean and went on to paint some of the largest murals in the United States–combined her own research with interviews with community members to come up with the murals’ designs. It was the discovery of the poems of Olean’s homegrown poet, however, that brought everything together.
To read more about the Olean mural, click here. To see more of Seligman’s work, visit her website: megsaligman.com.
[This post appeared first in the Robert Lax Newsletter. To sign up for this free bimonthly (or so) mailing, click here and enter your email address on the left-hand side of the page.]
In early October, a group called The Riga Project Choir gave three performances in Latvia of “The Arc in the Sky,” composer Kile Smith’s choral cycle based on Robert Lax’s poetry. According to the RPC website, “The choir is comprised of former members of Latvia’s top professional and amateur choirs, who now work primarily in other fields.” Smith reports that this was the choir’s first performance of a substantial American composition and the first presentation of his choral cycle in Europe.
Two of the concerts took place at the National Library of Latvia in Riga, while the third was performed at the Immaculate Conception Catholic Church in Daugavpils, in a heavily Russian ethnic area near the Belarus border. It soothes the soul to think of Lax’s poetry being sung so close to a war zone.
The concerts, sponsored in part by the US embassy in Latvia, were scheduled before Covid hit, which means before the war in Ukraine began. In another example of Laxian fortuity, they were postponed twice, allowing them to take place when the area most needed a Lax-like vision of peace.
Kile Smith speaks to the choir during a rehearsal for his Lax-based work. The choir’s director, Christopher Walsh Sinka, studied choral conducting under Donald Nally, the director of The Crossing, who commissioned Smith’s piece. Sinka lives in Riga now with his Latvian wife. Smith and his wife Jackie were able to attend two of the performances.
A few weeks ago, an older film called “Robert Lax — Word & Image” was posted to a “Michael Lastnite” YouTube channel. As I noted on p. 356 in Pure Act, Lastnite, a young man from Passumpsic, Vermont, began issuing cheap print versions of some of Lax’s unpublished poems in 1983, producing over two dozen in the next three years. Eventually, he “branched into sound recordings and then videos before filming interviews with Lax and many who knew him for a planned documentary.”
That documentary, completed in 1987 (with extensive research and interview assistance from Lax’s longtime friend Judy Emery) was never released. Before now, you had to travel to the Lax archives at St. Bonaventure University to see it. It’s easy to understand why: The images are blurry and, overall, it’s clearly the work of someone still learning the filmmaking craft.
Even so, the film is worth seeing. It shows Lax reading several of his poems and includes interviews with Lax himself; his sister Gladys; his two most important publishers, Emil Antonucci and Bernhard Moosbrugger; and others who knew him. There are a few shots of Patmos, too, as well as images from the Stuttgart Staatsgalerie’s exhibit of Lax’s work in 1985 (called Robert Lax: Abstract Poetry).
The same YouTube channel offers several audios of Lax reading his poetry, but the recordings are extremely poor, with Lax’s lovely voice distorted. They are best avoided. However, there is one other video on the channel: another hour-long presentation, that features shots of the Stuttgart show and of Lax reading. Again, the images are blurry, but the sound is good, giving you a chance to hear Lax’s voice as it truly sounded.
Video artist Susanne Weigner has produced several short, award-winning videos from Robert Lax poems. One of her latest ones, called “moments,” was recently part of a show in Taipei, Taiwan, curated by a group based in Buenos Aires, Argentina. Lax’s words are getting around!
Another Weigner-Lax videopoem, called “contemplation is watching” took first prize in the 2019 Atticus Review Videopoem Contest. You can watch it below:
I’m excited my book will be available to people who need or prefer to listen rather than read, but it’s strange to hear someone else read words I wrote about my own experiences.
Here’s a link to Joe’s website, which includes trailers showing him in movies and commercials as well as snippets from audio books he’s done: http://www.joeknezevich.com/demo.html. Among his many credits is a recurring role on the long-running TV series The Vampire Diaries.
Joe has a great voice. I’m excited he’s doing the book.
This past spring, Cirkus Cirkör, the Swedish circus company that co-produced Philip Glass’s new opera, “Circus Days and Nights,” based on Robert Lax’s circus poems, asked me to be help with a video introducing Lax to its audience. The video won’t be released until dates for the opera’s upcoming world tour are ready to be announced, but Cirkus Cirkör has given me permission to give Lax fans a sneak peak.
