A Tidbit from Robert Lax in a Celebration of the Circus

Image courtesy of Lydwine Substack.

A Substack called Lydwine recently posted a lovely evocation of the circus, with quotes by E. E. Cummings, E. B. White, and Robert Lax. The post, which can be found here, celebrates the one-time winter quarters of a circus contingent in Hugo, Oklahoma. Here’s a selection from it:

At Mount Olivet Cemetery in Hugo, Oklahoma, a small section of hallowed ground — called Showmen’s Rest — is set aside for the mortal remains of the circus folk who for generations have made tiny Hugo their winter haven. Buried there are impresarios like Jack Moore, who as a young man kept both a lion and a wrestling bear in his mother’s garage in Marshall, Texas; performers like Zefta Loyal, who could dance on pointe on the back of a galloping horse; or Herbert Weber, who as the Great Huberto walked the high wire with baskets on his feet.

Here’s the Lax section:

The poet Robert Lax, who himself travelled for a time with the Cristiani Brothers Circus, penned what seems a fitting epitaph for the dead of Showmen’s Rest, and for those of us yet left behind, who marvel at their witness:

Our dreams have tamed the lions,
have made pathways in the jungle,
peaceful lakes; they have built new
Edens ever sweet and ever changing.
By day from town to town we carry
Eden in our tents and bring its won-
ders to the children who have lost
their dream of home.
Image courtesy of Lydwine Substack.

If you go to the post, you’ll find many more wonderful pictures of circus performer headstones like those shone here.

I’ll end with one of Lydwine’s quotes:

“The circus,” wrote E.B. White, “comes as close to being the world in a microcosm as anything I know.”

“Image and Word,” A Merton-Lax Exhibit in Buffalo

The Burchfield Penney Art Center at SUNY Buffalo State is hosting an exhibit dedicated to the creative works of Thomas Merton and Robert Lax.  According to The Public, an alternative publication covering Western New York, “The exhibit materials include framed literary items—mostly poems—and photos, and vitrines containing some of their books and other published works.”  You can read more of The Public‘s write-up about the show here.

The exhibit, titled “Merton & Lax: Image and Word,” is an expanded remounting of the Lax exhibit displayed at the Regina A. Quick Center for the Arts at St. Bonaventure University last year.  Among its highlights are rarely-seen issues of Pax, the limited-circulation broadsheet Lax produced in the 1950s and 1960s with poems by friends such as Merton, Jack Kerouac, Mark Van Doren, and E.E. Cummings, and illustrations by painter Ad Reinhardt and graphic artist and publisher Emil Antonucci.

The exhibit, which runs through August 26, is curated by Anthony Bannon, two-time director of the Burchfield Penny Art Center, and Paul Spaeth, Rare Books and Special Collections Librarian at St. Bonaventure University, who is also the curator of the Thomas Merton and Robert Lax Archives at St. Bonaventure.  For more information, see the exhibit posting on the Burchfield Penney website.